Ein Text, der über das Schachspiel seine Struktur organisiert, reflektiert auch seine eigene Medialität. Das heißt, wie Lessing es im Nathan auf den Punkt bringt, „mit dem Spiele spielen“. In diesem Stadium der Selbstreflexivität spielt der Text mit seinem Leser ein Spiel – ohne fremde Einwirkung, nur aus sich selbst heraus. „Als hätt’ es Lieb’ im Leibe“ beginnt das gespenstische Automaton mit dem Ziehen seiner Figuren.
Nikolaos Karatsioras, Jahrgang 1982, studierte Germanistik und Philosophie und promovierte an der Universität Stuttgart.
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