Kunst-, Musik- und Theaterwissenschaften

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Le monde végétal, du crépuscule des Lumières à la fin du XIXe siècle

Kurtzer Entwurff der Nutzbarkeit des Künstlichen Tantz-EXERCITII (1727)

E.T.A. Hoffmann – Porträts und Illustrationen

Aussprachenormen für das Sprechen und Singen auf der Bühne im 19. Jahrhundert

Die Geschichte der deutschen Nationalhymne

Pepito hat Schnupfen

Körper – Karte – Text

“Vorrei cogliere questa terra /dentro l’immobile occhio del bue”. Leonardo Sciascia, lo sguardo di un intellettuale ‘scomodo’

Die frühesten Werke von Richard Strauss (TrV 1–105)

Athanor – David Esrig und die Magie des Theaters

„Il Gattopardo“ nella DDR

Europa in Literatur, Sprache, Kulturtheorie und Populärkultur

Das rumänische Theater im 21. Jahrhundert

Herta Rennebaum

Wüste in Flammen

Handbuch der deutschen Phonetik für Sängerinnen und Sänger

Die vertonte Rede

Concerto recitativo

Quasimodo hat Rücken

Maria Cebotari: „Ich lebe, um zu singen“

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Kunst-, Musik- und Theater­wissen­schaften

Kunst-, Musik- und Theaterwissenschaften